Shooter

An expert marksman (Mark Wahlberg) is coaxed out of seclusion by colleagues who need his help in preventing a plot to kill the president. But he soon realizes he's been set up when he's framed for the assassination attempt. Can he elude the law long enough to bring the real culprits to justice? Danny Glover and Michael Peña (World Trade Center) co-star in this political thriller based on a novel by Stephen Hunter.

Shooter twists and turns with an elaborate conspiracy that is very convincing, though of course the writers wimp out and take the cheap road of drawing international oil into the plot (can't writers think of an original plot device?). However, this is hardly a drawback since the rest of the film is solid as a rock. The film really puts you into the shoes of a sniper and gives an impressive overview of the mindset that it takes to be as accurate as someone of the character of Swagger.

The only real distractions in the film would be Elias Koteas, whose psycho performance is heavy-handed and does not fit the film, and Kate Mara who has little to do throughout the film but appear upset or in distress. The film could have done without either characters or their respective actors. As well, some of the character relations seem forced at time, particularly in the relationship between Michael Peña's character of Nick Memphis and his FBI confidante Lourdes, played by Rhona Mitra. Their almost effortless camaraderie comes off as less than convincing.

This is not a thought provoking thriller but rather a reasonably good movie which does not end up insulting your intelligence.

Rating: 3/5

The Last King of Scotland

Forest Whitaker stars in an Oscar- and Golden Globe-winning role as brutal Ugandan dictator Idi Amin in this drama. During an African medical mission in the 1970s, Scottish doctor Nicholas Garrigan (James McAvoy) impresses Amin by acting swiftly in a crisis. Installed as the dictator's personal physician soon thereafter, Garrigan enjoys the perks of his new position, until he begins to become aware of Amin's inhumanity -- and his own complicity.

Greetings again from the darkness. A true tour de force by Forest Whitaker ... the best performance of the year so far! Somehow Mr. Whitaker captures the madness and charm of Ugandan dictator Idi Amin. Amin was one of the first political rock stars. He used the media to his advantage as his regime slaughtered hundreds of thousands of his countrymen.

Forest Whitaker, IS Amin in this feature. Whitaker is not the silent sometimes brooding character you remember in other films he has been in. His accent,his face, and his emotions seem to no longer be Whitaker's but Amin's. This movie will scare the viewer because of its realism, and how it builds up to a tension that is hard to endure. The visuals are not for the squeamish. Go ahead and hide your eyes during the "tough" scenes. It is still worth seeing this movie for the fast paced story, realistic drama, fascinating tale, and for the unbelievable acting. By the end of the movie the audience is exhausted, but satisfied that they saw a worthy flick.

Rating : 3/5

Children of Men

Alfonso Cuaron directs this film version of P.D. James's classic dystopian novel (and Oscar nominee for Best Adapted Screenplay), a futuristic drama set in a world in which humans have lost the ability to reproduce and subsequently face certain extinction. Things change when a single woman mysteriously becomes pregnant, prompting a conflicted government bureaucrat (Clive Owen) and his ex-wife (Julianne Moore) to join forces to protect her. Michael Caine co-stars.

It can be called the thinking man's thriller. The casting is pretty well perfect. Clive Owen as Theo puts his haunted good looks to good use as he turns from cynical reporter to a hunted enemy of the state. The motley characters he meets along the way – his ex-wife, the fish rebels, the refugees who help him, the "fascist pig" border guard and above all Michael Caine's aging hippie are all wonderfully realized.

It has been suggested that Cuaron has really made a film about today, not 20 years into the future. The rampaging security forces we see might as well be in Bosnia or Iraq, or even Northern Ireland. In an age of terrorism, order without law very quickly becomes tyranny, which has never been the answer to terrorism. What he and PD James do demonstrate is just how fragile our civil society is.

As a film this is a very fine piece of work. The sets exude grimy Britain, the battles are hair-raising, the quieter moments intense. Cuaron would do a great James Bond movie. He has turned a rather rarefied novel into an exiting and engrossing thriller without obscuring the original message. He is a very versatile and enterprising film-maker and I'm sure he's going to do lots more good stuff.

Rating : 3/5

Notes on a Scandal

When pottery instructor Sheba Hart (Cate Blanchett) dives into an illicit affair with one of her students, she creates a sticky situation that spells turmoil for herself and puts a fellow teacher in a tough spot. St. George faculty member Barbara Covett (Judi Dench) connects with the pretty new art teacher, but things get complicated when Sheba divulges her secret. Bill Nighy and Max Lewis support the two Oscar-nominated actresses.

Instead of becoming the tawdry, salacious affair it could've easily been, two masterful and textured performances from two of our greatest actresses catapult "Notes on a Scandal" to the echelon of art-house entertainment. In one corner, we have Dame Judi Dench as the lonely schoolmarm and mentor. In the other corner, we have Cate Blanchett as the flighty but endearing new art teacher just begging for someone to take her under their wing. The film starts innocuously enough, with the two women becoming fast friends, with Blanchett inviting Dench into her home and family, and Dench all too eager to find a new best friend. Deliciously seasoned with spicy subtexts involving the bourgeois sense of entitlement, the bitterness of the lower middle class, the candidness of those with everything who never seem to be satisfied, the resentment of those sucked into this confidence, and of course, the psycho-sexual entrapments of all relationships, "Notes on a Scandal" is rife with everyday tragedy. The convoluted subtexts often take precedence over what is being seen on screen, until Dench's voice-over entrances us and sucks us in.

With betrayal leading to hatred and a complete breakdown of all things sacred in human connections, the climactic showdown between The Dame and The Cate is the type of goose-bump inducing acting tour de force moviegoers dream about.

Rating: 4/5